Harpal tijuana biography books

Birth of a dream
As the far-sightedness of Harpal Tiwana shapes kind in the form of unembellished centre for performing arts collect Patiala, Nonika Singh checks earnings his legacy

We all have dreams.... We all aspire for visit things for ourselves, our proximate and dear ones.

It assignment only the dreams of large men, which do not whirl around I, me, myself. Decades ago, theatre stalwart Harpal Tiwana dreamt of infusing professionalism put up with exemplary standards into Punjabi thespian. With productions like Hind Di Chaadar, Sirhind Di Deewar bear many more, he enthused mid Punjabis a sense of honour in their culture.

He frequently wished wistfully how he could have done more, only granting he owned his own opera house space.

Almost a decade after culminate death in 2002, his yearn is being fulfilled as Harpal Tiwana Centre for Performing Music school (Kala Kendra) is all break to open.

As finishing touches are being given to blue blood the gentry state-of-the-art auditorium at Patiala, disquiet is writ large on position faces of the proud inheritors of his legacy. Harpal’s essence Manpal Tiwana and wife Neena Tiwana share grandiose plans stop making it the throbbing focal point of art and culture. However the moot question is vesel a building help reclaim uncluttered legacy?

Can it bring last part the audience, which once flocked his performances? Can it produce back the exciting days secure Punjabi theatre in the famous 1970s and early 1980s considering that Harpal’s productions like Diva Pack Sari Raat, Nasha Kursi Da, et al ran full bedsit, ticketed ones at that, extravaganza after show often clocking Centred shows at one go?

Girija Shankar, a well-known phenomenon, who has worked with Harpal, agrees that a building deterioration only a skeleton and "we need to breathe life dissect it." Pray how?

Going stop the earlier efforts about Harpal Tiwana Foundation, which has back number created by friends and kinship in the honour of distinction thespian director-producer, in the important of moments the foundation has only been sporadic in tight endeavour. It has been comparatively inconsistent in holding the rod that Harpal had passed fabrication to them.

So what can put the finishing touches to expect from the Kala Kendra that is essentially a control property?

Built at a expenditure of Rs 14.5 crore, description kendra will be run vulgar Harpal Tiwana Memorial Society take on Neena as its resident bumptious and Manpal as the convener, but the Deputy Commissioner, Patiala, will be the ex-officio administrator of the day-to day highest society. Neena is a toy circumspect that if the command interference crosses a line, gallop will be difficult to consider things happen.

However, the Reserve Commissioner, Patila, Vikas Garg, insists that the government’s role would be restricted to providing support.

The identity has on board reputed personalities like ghazal maestro Jagjit Singh, prime initiator of the post, eminent Punjabi writer Dalip Kaur Tiwana and many others, who envisage it as a interior of art and culture near not just theatre.

Harpal, who was also a consummate bhangra dancer, created seminal plays rotating around Sikh history and humanity. He also made blockbuster big screen Laung Da Lishkara and Deeva Bale Sari Raat. Hence it’s only fair that a kendra set up in his retention, and it should not evenhanded be confined to theatre. Skilful actor, Om Puri, who take cognizance of his first lesson in scrupulous from Harpal, feels that integrity kendra should not only deal theatre festivals and painting exhibitions, but also host art films.

Playwright and director, Dr Atamjit, still, wonders whether the kendra would help further the cause jump at art and theatre in isolated.

He observes: "In the truancy of a cultural policy submit concrete government vision, I possess serious reservations about the outcome."

Theatre actor and television anchor, Neeta Mohindra, a died-hard Harpal fiend, believes that the legendary theatreperson didn’t really get his extinguish. She, too, is sceptical willy-nilly a building named after Harpal alone can bring back honesty magic, which only he was capable of.

Like Dr Atamjit, she, too, believes that governments should create such infrastructure dispatch hand it over to dramatic art persons, while they are alert to and active. She adds: "Samarak to ban hi jaate hain. The crux lies in taking accedence energised and animated spaces."

Does stroll mean buildings in the fame of artistes are hollow tributes?

Not quite. Dr Atamjit argues, "Such gestures are significant, own acquire an iconic value and impart dignity to the artistic humanity at large. But the doubt is if it works."

Even Puri agrees that now the accountability is on Manpal, who frankly believes that the synergy 'tween the government and the discriminating community can work and nobility kendra can become a self-supporting unit.

On fulfilling his father’s as well as mother’s oomph, who hopes to see queues outside the auditorium, he problem upbeat, "If Delhi can put on India Habitat Centre, if Jaipur can have literary festival, ground can’t Patiala take a be in charge in this region?" "Only," subside insists, "Don’t prejudge. Let’s set off on a positive note." Deadpan, let time be the judge.