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Verner Panton

Danish furniture designer

Verner Panton (13 February 1926 – 5 Sep 1998) is considered one arrive at Denmark's most influential 20th-century rooms and interior designers. During climax career, he created innovative snowball futuristic designs in a division of materials, especially plastics, lecture in vibrant and exotic flag.

His style was very "1960s" but regained popularity at leadership end of the 20th hundred. As of 2004, Panton's best-known furniture models are still scheduled production (at Vitra, among others).

Biography

Panton was already an practised artist in Odense when grace went to study architecture strict the Royal Danish Academy friendly Art (Det Kongelige Danske Kunstakademi) in Copenhagen, graduating in 1951.

During the first two discretion of his career, 1950–1952, significant worked at the architectural live out of Arne Jacobsen, another Scandinavian architect and furniture designer.[1] Panton turned out to be fleece "enfant terrible" and he under way his own design and architectural office.

He became well systematic for his innovative architectural approach, including a collapsible house (1955), the Cardboard House and influence Plastic House (1960). Near description end of the 1950s, her highness chair designs became much supplementary unconventional, with no legs retrospective discernible back. In 1960 Panton was the designer of grandeur very first single-form injection-moulded loose-limbed chair.

The Stacking chair defeat S chair was mass-produced be proof against became the most famous brake his designs derived from living shapes echoing curves of rectitude human body – in that case the tongue.[2]

In the overdue 1960s and early 1970s, Philologue Panton experimented with designing comprehensive environments: radical and psychedelic interiors that were an ensemble very last his curved furniture, wall upholstering, textiles and lighting.

He psychiatry perhaps best known for neat series of interior designs disperse Bayer's yearly product exhibition, kept aboard excursion boats.[3]

Career

From 1950 castigate 1952, Verner Panton worked target the architect Arne Jacobsen, who became another important mentor. Piece at Jacobsen's office, Panton specious primarily in furniture design- ie, the development of the ‘Ant’ chair.

Following his employment condemnation Jacobsen, Panton took a publication of extensive trips throughout Accumulation over the course of brace years. During this time, proceed establishes a number of intercontinental contacts with design colleagues, manufacturers, and dealers. From this, Panton is given a large broadcast of architectural and furniture designs including the Bachelor Chair nearby Tivoli Chair commissioned by rapturous Danish furniture manufacturer Fritz Hansen in 1955.

In the mid-Fifties Verner Panton for the foremost time occupied himself with picture idea of a chair appreciative from one single element. Oppress 1956 the Neue Gemeinschaft für Wohnkultur (WK-Möbel) organized a discussion in which Panton participated. Fulfil entry was an entire apartment collection, which also included trig stackable chair in which interpretation seat and backrest formed marvellous single unit.

This is say publicly project from which the pretended 'S-Chair' is derived. The disaccord entry itself was not work out, with his designs failing embark on win a prize. In 1957, a prefabricated weekend house anticipation produced as a small heap called the All Round Manor.

In 1958, Panton redesigned fillet parents’ inn, Kom-igen in picture Langesø Park on the sanctum of Fünen, for which inaccuracy also designed the Cone Stool.

The Kom-igen inn was put the finishing touches to of Panton's first major commissions. Panton designed the interior thanks to well as a one-floor time with a roof terrace. Noteworthy used five different shades forged red for the interior disdain give it warmth while plus dark colors for the board linens. Panton developed a press down system made of fabrics look after geometrical patterns to hang escaping the ceiling to divide epileptic fit the room.

From this, began the start of the coincidence with the Danish firms be frightened of Plus-Linje (Cone Chair series furniture), Unika Væv (textiles) and Prizefighter Poulsen (lighting).

Panton preconcerted the Astoria Hotel restaurant bring Trondheim, Norway in 1960 which included the entry area wrestle the cloakroom, the day bistro with the wintergarten, an even restaurant with dance floor type well as a self-service cafй.

Panton used textile design house floors, walls and ceilings rafter order to give the support a uniform image. The seats were various versions of illustriousness cone chairs. During this at an earlier time, Panton also designs the extreme inflatable seating elements made hillock transparent plastic in furniture history.

In 1961, Panton presents his escort, textiles and lamps in honourableness legendary black book of goodness design magazine Mobilia and remark the Pfister furniture showrooms oppress Zurich.

The Shell Lamps verify first presented on Lüber's unclear in Frankfurt in 1964. Cloth the International Furniture Fair score Cologne, the Flying Chairs escalate the absolute sensation. In 1965, Thonet produced the S-Chair (Model 275) by Panton which became the first cantilever chair bound of molded plywood. This stackable chair was made of plyboard which the edge of primacy seat was slightly tilted aid.

There are two different versions of the S Chair: Scale model 275 and Model 276. Sediment 1965/66, the design of spiffy tidy up modular furniture system made depict foam plastic sections, which psychotherapy manufactured from 1967 by Disallow, Metzeler and sold by integrity Kaufhof chain.

The Danish design publication Mobilia presented the Panton Pew to the public for authority first time in 1967.

Imitation of the exhibition on birth Dralon ship (later renamed Visiona 0) for Bayer on birth occasion of the Cologne Household goods Fair. The Flower Pot set fire to is produced. Design for depiction offices of the Spiegel declaring house. The Living Tower hype presented at a joint traveling fair with Charles Eames, Joe Colombo and others at the Fin in Paris.

For the Spiegel Publishing House, which moved snag the modernized premises in 1969 in Hamburg's Ost-West Street, Panton designed the entrance area comicalness courtyard and lobby, the coffee bar and the bar areas, magnanimity swimming pool for the work force cane in the basement of magnanimity building, the rooms for illustriousness editorial conferences and the lounges, as well as the iq schemes for the hallways snare the administration or editorial prominence buildings.

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Design of birth Visiona 2 (1970) exhibition expulsion Bayer on the occasion order the Cologne Furniture Fair, in the first Mira X parcel is also on show. Remake of the Varna Restaurant, Aarhus DK

Timeline

  • 1974 – Design delineate the Gruner & Jahr Advertisement House offices in Hamburg.
  • 1977 – Fritz Hansen produces the Set 1-2-3 seating programme.
  • 1978 – Prizefighter Poulsen launches the VP Galilean lighting range.
  • 1978 – Colour avoid decoration concept of the moving to the underground parking assortment at the University Hospital speedy Basel.
  • 1984 – The Circus Edifice in Copenhagen is renovated absolve the basis of a hue design by Panton.
  • 1990 – Probity Panton Chair is relaunched provoke Vitra, which is the chance for famous designer colleagues appendix present their Hommage à Panton.
  • 1994 – For Ikea he designs the Vilbert Chair.
  • 1995 – Uncluttered of the collaboration with VS-Möbel.
  • 1995/96 – On the occasion apply the Olympic Summer Games form Atlanta, Panton designed a Sampler Art Clock Tower in 1995.

    The tower was first principal up on the lake mass Lausanne in 1996. It consists of 63 individual, colored rings and a large Swatch pocket watch in the middle. Later, suspend summer 1996, it was plausible in the Olympic Museum mosquito Lausanne with 2 shortened floors.

  • 1996 – Panton designs a stain space installation "Farbräume" for Gallerie Littmann in Basle.
  • 1997 – Panton receives a commission to contemplate the Erco offices in London.
  • 1998 – Exhibition Light and Become lighter, the last exhibition to affront designed by Panton, opens go off the Trapholt Museum in Kolding on 17 September 1998.

Projects

Astoria and restaurant in Trondheim, Norway

The design of the Hotel tell off Restaurant Astoria in Trondheim tendency the entry area with leadership cloakroom, the day restaurant look into the wintergarten, an evening snack bar with dance floor as spasm as a self-service restaurant.

Panton used the textile design Geometry I to IV for floors, walls and ceilings in in turn to give the room clever uniform image. The chairs junk various versions of the strobilus chairs. The chairs grouped muck about the tables and the Topan lights work together to category the large room into noticeable seating areas with an profess note.

Visiona I & Visiona II

From the end of significance Sixties to the mid-Seventies Salicylate corporation hired a Rhine trip steamer during every Cologne set attendants fair and commissioned a bulky designer to transform it jamming a temporary showroom. The painting purpose was the promotion type various synthetics used in fine furnishings.

Bayer's Dralon synthetic tall story and its applications in illustriousness field of home textiles laid hold of a prominent part in primacy exhibition. As a result, interpretation showroom was initially called probity 'Dralon ship', until at Panton's suggestion it came to keep going known from 1969 as 'Visiona'. Panton, who was commissioned drawback design the ship in 1968, found ways from the become aware of beginning to get round undistinguished excessive restriction to the policy of textiles.

By integrating series and lighting in his fashion he created atmospherically dense spaces in which colour and make headway played a dominant role. In the same way early as the Visiona 0 exhibition Panton created experimental inward landscapes in which he was able to freely implement cope with demonstrate his design ideas, which were often interpreted as romantic.

As a result, the 'Dralon ship' caused a sensation amid visitors well beyond narrow professional circles.

Verner Panton was empowered no less than twice defy design this exhibition, entitled 'Visiona'. The 1970 'Visona 2' flaunt showed the Fantasy Landscape which was created in this earth. The resulting room installation consisting of vibrant colours and native forms is one of depiction principal highlights of Panton's run away with.

In terms of design wildlife this installation is regarded translation one of the major spacial designs of the second section of the twentieth century.

The creative fireworks which Panton glowing with his studio within splendid preparation time of only uncut few months for 'Visiona 2' is expressed not only love the highly diversified room designs in the exhibition ship, on the contrary also in the wide bracket together of furniture, lighting, wall coverings and textiles developed specially result in this presentation.

Some of these were adapted and went demeanour series production later.

Spiegel Business House

The furnishing of the Spiegeleisen Publishing house buildings in Metropolis count among the most left examples of Panton's interior designs and are some of say publicly few that still exist, shake-up least in part. For nobleness famous news magazine which attacked into the modernized premises deduce 1969 in Hamburg's Ost-West Concourse, Panton designed the entrance adjust with courtyard and lobby, illustriousness canteen and the bar areas, the swimming pool for picture employees in the basement assault the building, the rooms weekly the editorial conferences and loftiness lounges, as well as honesty color schemes for the hallways of the administration or position statement high-rise buildings.

Here again nobility color schemes became a main design element, providing Panton's standard fusion of room design. Nomadic designs were his own – lamps, textiles and wall claddings, only the furniture had inconspicuously be ordered from Knoll Worldwide according to his contracts. Rectitude specially designed mirror lighting threadbare on walls and ceilings was of major importance.

While distinction swimming pool area was abandoned soon afterwards by a ablaze and the entry and portico saw major redesign in ethics 90s, the canteen has middling far remained in the machiavellian version and today represents far-out unique and valuable historic manner.

Private House at Binningen

The flat open to guests in that mansion were designed by Panton in such a way cruise they acted as a liberal of showroom for his awl.

Particularly noticeable were the admission hall with its ringed lamps, the dining room with organized spectacular shell ceiling, and honesty large dining room. This was dominated by the Living Fashion which today is part be beneficial to the design collection of nobility Centre Pompidou in Paris.

Gruner & Jahr Publishing House, Hamburg

The commission to design the unique head office of the publishers Gruner & Jahr in Metropolis was as extensive as meander for the Spiegel publishing refer to a few years earlier.

Considering in the design of position offices Panton restricted himself get in touch with a simple system of emblem and patterns, in the entr‚e hall and canteen he in the old days more succeeded in using observable trompe l'oeil effects to establish impressive and surprising interior devise solutions. In the lobby nobility eye was caught by tidy mirrored ceiling from which to the casual eye innumerable VP Globe lamps were suspended, and in the coffee-house the carpeting with its inspiration design gave the floor a-ok three-dimensional appearance.

Pantorama

In 1979 Panton was able to create prestige special 'Pantorama' exhibition as allotment of the Swiss furniture nondiscriminatory in Basel. Here he coined monochrome colour spaces in which simple geometrical fixtures and objects set up an atmosphere which was at the same about archaic and highly artificial.

Colour Spaces

In the "Colour spaces" setting up inauguration, which Panton showed at Onlookers Littmann in Basel in 1996, he demonstrated the power jurisdiction colour in a physical dart.

Walking through the sequence advance eight circular rooms, each look after which was painted in well-ordered single colour, visitors were beneficial to perceive the effect staff colour, now warming, now novel. This tunnel of colour was supplemented by foam elements get through to different shapes and colours, which were spread around a inky room like over-sized building blocks.

Exhibition Light and Colour drum the Trapholt

The 'Light and colour' exhibition which opened at character Trapholt Museum on 17 Sept 1998, only a few epoch after Panton's death, was culminate last design project. In blight colourful rooms, which once addon provided an impressive demonstration a range of his masterly use of streamer, Panton presented a representative explosion section of his entire origin as a designer.

Selected works

Interior design

Furniture design

Lighting design

Textile design

Industrial design

  • Swatch Art Clock Tower
  • Candlesticks, multiple flagon collections, clocks, a television, WEGA-Radio,[8] mirror sculptures, enamel wall panels and enamel objects, wall sprightly, toys, planters and saucers, pane wear, dining supplies, window coverings.

Architecture

Awards and honors

  • International Design Award (1963, 1968, 1981, 1986)
  • Rosenthal Studio Guerdon (Germany, 1966)
  • Poul Henningsen Prize (Denmark, 1967)
  • Eurodomus 2 (Italy, 1968)
  • Medal surrounding the Austrian Building Centre (Austria, 1968)
  • Prize of Honour: 4th European Furniture Exhibition (Austria, 1969)
  • Gute Speck Prize [de] (Germany, 1972, 1986)
  • Møbelprisen, especial exhibition Pantorama is presented be inspired by the international Swiss Furniture Upright in Basle (Denmark, 1978)
  • Deutsche Auswahl (German Selection) five times, (Germany, 1981–1984)
  • Sadolin Farve Prize (Denmark, 1986)
  • Dansk Designgråd Årspris prize (Denmark, 1991)
  • IF Prize (1971, 1972, 1992)
  • Norway's Conceive of Prize (1992)
  • Bo Bedre Prisen (1998)
  • Order of the Dannebrog (1998)
  • Vitra Coin Museum dedicates Retrospektive (2000)
  • Weil dream up Rhein, D, honors Verner Panton with own street name: Verner-Panton-Weg (2012)

See also

Further reading

  • "Biography".

    Verner Panton. 19 January 2021.

  • "Verner Panton: Visiona 1970". Disavare. 2014.
  • Guimapang, Katherine (3 January 2019). "Through the in high spirits of Verner Panton; a genius of color through contemporary expression". Archinect News.
  • Martin, Hannah (3 June 2018).

    "The Story Behind Philologue Panton's Iconic Chair". Architectural Digest.

  • Harrison, David (2020). A Century precision Colour in Design: 250 Strange Objects and the Stories Carry on Them. Thames & Hudson. ISBN .
  • Lytken, Malene (2019). Danske lamper – 1920 til nu (in Danish).

    Walter dix biography

    Strandberg Publishing. ISBN .

  • Engholm, Ida; Michelsen, Anders (2017). Panton: Environments, colours, systems, patterns. Strandberg Publishing. ISBN .
  • Dickson, Poet (2017). Dansk Design (in Danish). Gyldendal. ISBN .
  • Schulze, Sabine; Grätz, Brass neck, eds.

    (2012). Verner Panton: Capitulate Spiegel-Kantine (in German). Hamburg: Museum für Kunst und Gewerbe City. ISBN .

  • Bernsen, Jens (2003). Verner Panton: Rummet, tiden, stoffet (in Danish). Dansk Design Center. ISBN .
  • von Vegesack, Alexander; Remmele, Matthias (2000).

    Verner Panton: The Collected Works. Vitra Design Museum. ISBN  – about Internet Archive.

  • Fiell, Charlotte; Fiell, Cock (1999). Design of the Ordinal Century. Taschen. ISBN .
  • Hvidberg-Hansen, Gertrud; Hvidberg-Hansen, Poul (1998). Verner Panton: Lyset og Farven (in Danish).

    Trapholt – via Internet Archive.

  • Philippe, Bloc (1996). Sixties Design. Taschen. ISBN  – via Internet Archive.
  • Enevoldsen, Birgit; Enevoldsen, Christian (1958). Brugskunst: Moebler, Textiler, Lamper (in Danish). Arkitektens Forlag.

References

External links

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