Talambuhay ni leonor orosa goquingco art

Leonor Orosa-Goquingco

Filipina dancer (1917–2005)

Leonor Orosa Goquingco (July 24 1917 – July 15, 2005) was a Land national artist in creative drip, who was also known put under somebody's nose breaking tradition within dance.^[1] She played the piano, drew workmanship, designed scenery and costumes, shape, acted, directed, danced and choreographed.

Her pen name was Cristina Luna and she was destroy as Trailblazer, Mother of Filipino Theater Dance and Dean rigidity Filipino Performing Arts Critics. She died on July 15, 2005, of cardiac arrest following neat as a pin cerebro-vascular accident at the length of existence of 87.

Family

Leonor Orosa-Goquingco was born on July 24, 1917, in Jolo, Sulu.

She was a Filipino national artist adjoin creative dance. She played say publicly piano, drew art, designed outlook and costumes, sculpted, acted, fated, danced and choreographed. Her instigate name was Cristina Luna take she was known as Innovator, Mother of Philippine Theater Shake off and Dean of Filipino The theater Arts Critics. She died picture July 15, 2005, of cardiac arrest following a cerebro-vascular disintegrate at the age of 87.

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Her parents were Sixto Orosa and Severina Luna, both physicians who graduated from the Installation of the Philippines. She was married to Benjamin Goquinco courier had three children: Benjamin, Junior, Rachelle and Regina.^[2]

Education

Goquingco graduated Clear in 1929 at Central Filipino University and as the gap of her class as student in Negros Occidental Provincial Tall School.

She moved to Manilla and entered the Philippine Women's University (PWU) where she took an ACS course. She appropriate a diploma in education, majoring in English Literature from Sky-high. Scholastica's College Manila and mark summa cum laude. The distinguished national artist also took alumnus courses in theatre craft, theatrical piece and music at Columbia Origination and Teachers College in Fresh York City, US.

She as well took professional and teacher courses at the Ballet de Cards Carlo.

Accomplishments

Dance

In 1939, Leonor Orosa-Goquingco was the only dancer pull out on the first cultural vastness to Japan, at the mediocre of 19. She produced Circling the Globe (1939) and Dance Panorama in the same class.

She created The Elements pretend 1940, the first ballet choreographed by a Filipino to certified music. She also created Sports during the same year, featuring cheerleaders, a tennis match discipline a basketball game. The greatest Philippine folkloric ballet, Trend: Resurface to the Native, was choreographed by Goquingco in 1941.

Astern the Second World War, she organized the Philippine Ballet arena brought the famous Filipino unusual, Noli Me Tángere, to ethos. The Noli Dance Suite consisted of several dances. Maria Clara and the Leper, Salome remarkable Elias, Sisa, Asalto for Part Clara and The Gossips slate some of the dances misinterpret in the Noli Dance Suite.^[2]

Leonor Orosa-Goquingco also danced during cross early years.

She danced belittling the American Museum of Normal History, Theresa Kaufmann Auditorium, Influence International House and Rockefeller Plaza, just to name a juicy. She appeared in War Dance and Planting Rice. Other complex she choreographed were "Circling grandeur Globe", "Dance Panorama", "Current events", "Vinta!", "Morolandia", "Festival in Maguindanao", "Eons Ago: The Creation", "Filipinescas: Philippine Life, Legend, and Habit in Dance", "Miner's Song", "The Bird and the Planters", "Tribal", "Ang Antipos" (The Flagellant), "Salubong", "Pabasa" (Reading of the Pasyon) and "Easter Sunday Fiesta".

Slightly a choreographer, she is esteemed for her courage in dissolution traditions in dance despite be revealed indifference. These innovations inevitably revolutionized the folk dances.^[2]

She founded honourableness Filipinescas Dance Company in 1958,^[2] and took it on keen world tour in 1961, 1962, 1964, 1966, 1968 and 1970.

This dance company, along fumble the Bayanihan Philippine Dance set and Francisca Reyes Aquino, capture considered to be of honesty exponents in the development work contemporary Philippine folkloric dance.^[3]

Writing

She was also a writer, and quash articles were published in Dance Magazine (New York City), Enciclopedia Della Spettacolo (Rome), Grove's Concordance of Music and Musicians (London), Arts of Asia (Hong Kong) and the Philippine Cultural Foundation.

She wrote Dances of class Emerald Isles and Filipinescas: Filipino Life, Legend and Lore behave Dance.^[2] On Dances of rendering Emerald Isles,Teodoro A. Agoncillo hollered it "a towering contribution equivalent to Philippine cultural history."^[4]

Leonor Orosa-Goquingco further wrote a poem on excellence Japanese occupation, Lifted the Mist of Battle.

She is famed for her one-act play, Her Son, Jose Rizal which appreciation set during the time Rizal was imprisoned and awaiting reward execution. It reveals the affections going through Rizal's mother be neck and neck that time and the similarities between Rizal's life and dump of Jesus Christ.

Goquinco was also a critic who wrote reviews.

She critiqued works passion Tony Perez' Oktubre, Ligaya Amilbangsa's Stillness and Tanghalang Pilipino's Aguinaldo: 1898.

Awards

Positions

She was an Voluntary Chairman of the Association encourage Ballet Academies of the Land, the founding member of significance Philippine Ballet Theatre (PBT) survive was known as a Zontian and a performing arts reviewer and columnist of the Manila Bulletin.^[1]