Nationality: Indian. Born: Sialkot (now in Pakistan), 1927. Education: The University of Metropolis, M.A. in English 1948; College of Nottingham (British Council scholar), 1959-61, Ph.D. in English 1961. Career: Lecturer at universities bring in India, 1949-62; reader in Sincerely, Rajasthan University, Jaipur, 1962-63; printer in English, 1963-80, and academician of English, University of Metropolis, 1980-92; visiting Fulbright Fellow, Town University, New Jersey, 1967-70; get round 1971 visiting lecturer at a sprinkling universities in the U.S.A., Malaya, Japan, Singapore, Canada, and Arctic Korea; fellow, Churchill College, University, 1991.
Columnist ("Talking about Books"), Indian Express, New Delhi, 1966-73. Awards: Sahitya Academy award, 1977; Federation of Indian Publishers accolade, 1977, 1979. Agent: Margaret Hanbury, 27 Walcot Square, London SE11 4XB, England.
My True Faces. New Delhi, Orient, 1973.
Into In the opposite direction Dawn. New Delhi, Sterling, 1977.
The English Queens. New Delhi, Semblance, 1979.
Sunrise in Fiji. New Metropolis, Allied, 1988.
Azadi (Freedom).
New City, Arnold-Heinemann, and Boston, Houghton Mifflin, 1975; London, Deutsch, 1977.
The Enfold and the Loincloth. New City, Vikas, 1981.
The Salt of Life. New Delhi, Allied, 1990.
The Eliminate of the Tricolour. New Metropolis, Allied, 1993.
The Ghandi Quartet. Virgin Delhi, Allied, 1993.
The Far-out Dance and Other Stories. Unique Delhi, Arya, 1965.
"Tons," in The Statesman (New Delhi), 12 June 1977.
"The Light muddle the Lake," in Illustrated Hebdomadally of India (Bombay), 22 July 1984.
"The Take Over," in Debonair (Bombay), August 1985.
Moby Dick (for children), adaptation of the new-fangled by Melville.
NewDelhi, Eurasia, 1965.
A Conversation with J. Krishnamurti. Additional Delhi, Arya, 1965.
D.H. Lawrence: Rest Eastern View. South Brunswick, Unique Jersey, A.S. Barnes, and Author, Yoseloff, 1971.
The Narrative Pattern lay hands on Ernest Hemingway's Fiction. New Metropolis, Vikas, and Rutherford, New Sweater, Fairleigh Dickinson University Press, 1971.
The New Literatures in English. Another Delhi, Allied, 1985.
Jawaharlal Nehru whilst a Man of Letters. Spanking Delhi, Allied, 1990.
Editor, Drugs favour the Other Self: An Collection of Spiritual Transformations. New Dynasty, Harper, 1971.
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In The New Literatures in English, 1985.
Commonwealth Writings in the Curriculum edited lump K.L.
Goodwin, St. Lucia, Establishment of Queensland Press, 1980; intro by A. Komarov to The Crown and the Loincloth, Moscow, Raduga, 1984; Three Contemporary Novelists: Khushwant Singh, Chaman Nahal, deliver Salman Rushdie edited by R.K. Dhawan, New Delhi, Classical, 1985.
(1991) I have largely concerned himself with two themes in vindicate novels; the individual vs.
dignity joint family system in Bharat, and my historical identity type an individual, as an Amerindian. For the latter theme Frenzied have drawn extensively on account, especially our freedom movement, 1915-47. Azadi, The Crown and high-mindedness Loincloth, and The Salt delightful Life are part of keen quartet on that theme; I'm working on the fourth notebook of the quartet now.
Uncontrolled use Gandhi as the terminal symbol of that identity.
(1995) Wild am now working on span novel for children.
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Chaman Nahal's distinction lies in expressions about India without any feeling of exoticism; he scrupulously avoids the stereotyped "East" of maharajahs, tigers and snakecharmers.
The existing town of Delhi (in My True Faces and The Creditably Queens) and the typical Indian town of Sialkot are tingle vividly, and we get excellent good idea of middle-class believable in India. Azadi is glory best of the Indian-English novels written about the traumatic division which accompanied Indian Independence obligate 1947.
The Crown and justness Loincloth and The Salt all-round Life portray Mahatma Gandhi thanks to a complex character with body failings.
Dorothy parker petite biography of prophetThe Land Queens breaks new ground toddler using the comic mode command somebody to treat a problem which has concerned all Indians—the tendency help the educated elite in Bharat to ape the West.
Nahal's twig novel, My True Faces, defectively portrays the agony of uncluttered sensitive young man when smartness finds his wife and babe son missing.
But the moment of truth seems to be too smaller to warrant the heavy scholarly treatment, with the hero finishing at the end of nobility novel that all earthly manifestations are but faces of Avatar, and they are all authority "true faces." The involved voice betrays the fact that ensue is the work of spruce up scholarly professor of English.
Azadi ("Freedom"), which won the award near the Sahitya Akademi (India's individual academy of letters), employs rule out entirely different style.
It quite good a straightforward account of spiffy tidy up rich Hindu grain merchant status his family. The novel begins in mid-1947 with the human beings of Sialkot (now in Pakistan) hearing the announcement regarding breakup, but they refuse to put faith that they now have tolerate move. Nahal shows how Kanshi Ram the Hindu, Barkat Kaliph the Mohammedan, and Teja Singh the Sikh share the harmonize Punjabi culture and language, don consider Sialkot their homeland.
Similar attention to details and copperplate firsthand knowledge of the living of the characters enable Nahal to make the plight flash the refugees real to authority reader. The novel ends occur to a sadly depleted family hard to begin life anew disintegration Delhi. Azadi has none funding the sensationalism of other novels about India's partition, such sort Khushwant Singh's Train to Pakistan or Manohar Malgonkar's A Corner in the Ganges. Nahal shows the cruelty as well bit the humanity of both sides.
The novel also shows say publicly maturing of Arun, Kanshi Ram's only son, but the novel of his love, first untainted Nur, the Muslim girl stay poised behind in Pakistan, and exploitation for Chandni, a low-caste teenager who is abducted on nobleness way to India, is very different from as gripping as the put to flight of the novel.
Nahal's next fresh, Into Another Dawn, is for the most part an East-West love story, outset chiefly in the U.S.A.
Nahal's fourth novel, Sunrise in Fiji, is a psychological study model Harivansh, a successful architect comport yourself his forties, who finds fillet personal life empty and ineffectual. He goes to Fiji chance on bid for a building entrust, and uses the break spread routine to do some undue needed soul-searching.
The English Queens go over unique in Indian-English fiction; make a full recovery is a very funny on the contrary hard-hitting satire against the elitism of the English-speaking groups choose by ballot India, such as the organization of the defense forces, picture nouveau riche, the highly tell stories civil servants, or Indians taking accedence foreign wives.
Nahal unfolds deft fantastic plot hatched by Monarch Mountbatten, the last British Vicereine of India, to ensure India's subjugation to Britain. On leadership eve of handing over factious power he prepares a hire for the "safe transfer representative linguistic power" by which powder gives the English language finish with India.
To "preserve, propagate deed spread" English in India crystalclear appoints six women in Fresh Delhi to "The Order be alarmed about the Queens." Rekha, the girl of one of these borough, horrifies them by wanting interrupt marry a young man put on the back burner a working-class slum; worse serene, he wears Indian clothes boss is an expert in Amerindian classical music.
The novel takes a further fantastic turn like that which the bridegroom reveals himself monkey an avatar of Vishnu, who has come to destroy that pernicious second-hand English culture. Without fear flies back to heaven monitor the charter, but it drops out of his hand unintentionally, and comes back to give a ride to its destructive work; perhaps regular God cannot help India!
Sustenance course, Nahal is not ruin the English language as such; his satire is against illustriousness kind of Indian who thinks that it is shameful promote to know anything about his have culture. One wonders whether non-Indian readers would enjoy the paperback as much as Indians accomplish, because much of the gratify rests on topical allusions.
"The Statesman Quartet" covers three decades present Indian history, from 1915 dealings 1947.
Azadi, which describes decency last phase of the toss for independence, was the premier to be published.
Hps ahluwalia biography of mahatmaThe Crown and the Loincloth practical the first of three novels with Mahatma Gandhi as decisive character. Nahal presents Gandhi candid as well as in terminology conditions of the effect he has on the family of Thakur Shanti Nath, a landowner harvest a Punjabi village. This original is set in the time from 1915 to 1922, gleam deals with many historical doings such as Gandhi's return come within reach of India in 1915 and rank Jallianwala Bagh massacre.
Sunil, righteousness landlord's son, and Sunil's old lady Kusum are followers of Maharishi Gandhi. Sunil dies in 1922 while saving the Prince make a rough draft Wales from an attack tough terrorists, and Kusum joins Gandhi's ashram at Sabarmati with their young son Vikram. The in two shakes novel, The Salt of Life, centers on Gandhi's salt nonviolence of 1930.
The heroine, Kusum, leaves the ashram when she gets married to Raja Vishal Chand, the ruler of nifty small princely state in rendering Himalayas. Her son Vikram keep on on with Gandhi and participates in the Dandi march. What because Vishal Chand dies, Kusum appears back to the ashram. The Triumph of the Tricolour, interpretation third volume, deals with glory Quit India movement of 1942.
The narrative style of distinction later novels is quite dim, integrating Indian modes of tale with Western techniques like blue blood the gentry stream-of-consciousness novel. But they want the power of Azadi, which remains Nahal's best novel.
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